Friday, June 17, 2011

Part 4 of 4: Entraining to the Harp

Entrainment with the harp also works at many levels. Harp music can both be heard and felt and its relaxing nature allows people to open their energy fields more easily. With open fields, Reiki energy can penetrate deeper and more gently.

It is the physical shape and materials of the harp that gives it this special quality, called “resonance.”

What is resonance? Imagine a room full of people all singing their own song, some humming tunelessly, others humming joyfully, all out of sync with each other. The room is full of noise.

Then one person starts singing louder and it is a song that everyone knows. Pretty soon, you have a room that is singing together, some in unison, some in harmony. Everyone feels relaxed and happy to be singing. The noise is gone. This is resonance.

Because of the way the harp is constructed, each note that comes out of a harp is like the room of happy singers, with no “noise.” This is considered to be a “pure tone” and the more pure the tone, the more concentrated the healing.

In addition, the harp can sustain this resonance for a long time, with very little or no decay. And because the tones last long, the body has time to entrain to the tones. During a healing, the harp becomes “the strongest one in the room.”

Healing harpists are also taught how to entrain clients at the physical level. They are trained to look for signals from clients such as heart rate or breathing rates as baseline rhythms. Once the harpist and the client are entrained, the harpist can carefully change the vibration of the client’s energies, tissues and subtle bodies in order for the body to balance itself.

“In order to accomplish the goal of entrainment, we must begin with music that reflects the state the person is in when we start to play for them,” writes Christina Tourin, founder and director of the International Harp Therapy Program, in her class manual, Cradle of Sound.

“If someone is feeling depressed, we cannot simply play ‘happy’ music and expect that the person’s mood will change. We must proceed slowly and carefully, starting with music that matches the person’s mood, then shift gradually (both musically and over time) to music in other moods.”

Rich Fields of Opportunity

There are rich opportunities for research in the confluence of Reiki and harp music. And it is very exciting to see the possibilities for deep healing by using the harp to open fields to allow Reiki further access to the body.

Susan Zevenbergen writes: “In a sense, I think if you are sending Reiki with a harp, you are trying to give the energy forms a different physical presence through sound.”

Books and Articles

Healing with Sound, Color and Movement, by Fabien Maman.

The Reiki Touch, by William Lee Rand

Reiki for Dummies, by Nina L. Paul, PhD

The HeartMath Solution, by Doc Childre and Howard Martin with Donna Beech

Cradle of Sound: International Harp Therapy Manual, by Christina Tourin

Good Vibrations: Principles of Vibroacoustic Harp Therapy by Sarajane Williams

Essential Reiki, by Diane Stein

“Science and the Human Energy Field,” an interview with James L. Oschman, PhD and William Lee Rand, Reiki News Magazine, Vol. one, Issue three, Winter 2002.

“The Harp Links Worlds of Spirit and Matter,” an interview with Barbara Brennan and Marjorie Valeri, The Harp Therapy Journal, fall 1996.

The World is Sound, Joaquim-Ernst Berendt

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